Saturday, 26 December 2009

Switched On! Christmas Party (December 26th)

Tokyo's finest new wave/electro/technopop party Switched On! has its annual Christmas party again tonight back at its original venue, the old Bar Drop. Although the venue officially closed last year, the place is still there and the owners invited us back to do a show, so it should be a homecoming spectacular for all concerned. For all, that is, except our special guests Tika Tika from Nagoya, and N'toko from Slovenia, both of whom will be adding some of their own spice and glamour to procedings.

12/26 (Sat)
Kichijoji ex.Bar Drop
5:00 P.M. - 11:00 P.M.
2000yen adv. / 2300yen door

DJs
Ian Martin (Call And Response Records)
Katsumi Suzuki
Takayuki Tonegawa (Wicky Records)
Kovacs (Petit Mit)
Mince (The Frap Frap Fraps)

LIVE

Candles
Motocompo
Tika Tika
(from Nagoya)
N'toko (from Slovenia)

Tuesday, 15 December 2009

C.A.R. stuff on teh Internets Part 3

Nippon Rock has an interview with me on their web site now, augmented by a gloriously fuzzy photo that I took of myself in a mirror at Akihabara Club Goodman using my iPhone. Go there and marvel at what I look like when I'm dangerously drunk and mirror-reversed (also check out the 90s retro Aston Villa away shirt I'm hiding under my jacket in anticipation of the Villans' historic win over Manchester United later that same evening!)

Thursday, 3 December 2009

Fashion Crisis (December 2009)

The last Fashion Crisis of 2009 is coming up next Monday, so be sure to cancel all appointments and get on down to Koenji for the undoubted extravaganza that the event will surely be. Along with the familiar faces of Candles will be special live guest Kiyokazu Onozaki from indie/folk/neo-acoustic tunesmiths the Andersens. Also, making regular DJs Ian and James look like the hopeless amateurs they are, will be Slovenian electro/hip hop/experimental superstar N'toko.

Date: December 7th 2009
Time: 7:30 P.M.
Place: Koenji Bar One
Cost: FREE
Live: Candles / Kiyokazu Onozaki (from the Andersens)
DJs: N'toko / James Hadfield / Ian Martin

Monday, 30 November 2009

Fire in Koenji

Some people might over the last week have read about the fire in an izakaya in the Tokyo suburb of Koenji that claimed four lives last Sunday morning. Certainly for those of us who live in and around Koenji this has been enormous news and of more than a little importance in the music scene.

Koenji is famous as a music district, with way more than its fair share of live venues, as well as record shops catering to pretty much all tastes, from hardcore punk, to reggae, to fucked up experimental improvised music to old 1950s and 60s singers. Many of the residents are musicians or otherwise involved in the music scene, and Ishikaritei, the izakaya where the fire happened, was a central place in Koenji's music scene, as much part of the scene's fabric as venues like 20000V or shops like Enban.

Positioned on the second floor of the building that also includes the punk venues Gear and 20000V, Ishikaritei was a regular venue for the after-gig drinking that often followed gigs. The food was cheap, the staff were friendly, easygoing people, and it always had good music playing, usually a mixture of 60s and 70s rock and pop. The staff there clearly liked music and were always accommodating to musicians with their cumbersome bags full of equipment and frequently drunken behaviour.

Over the past week wherever I've gone, any time I've met music scene people, the conversation has invariably come down to the fire. All that has been published about the two staff members who died is that they were a man in his sixties and a man in his forties, but in any case it's clear that the people killed included people we knew, at least tangentially. These were people you would walk past in the street and recognise. Possibly people you'd smile and nod your head to them.

The fire occurred at about 9 A.M. on Sunday morning, and one of the most sickening things about the past week was hearing the tutting, clucking insinuations of the media talking heads as they ask what people were doing out drinking at such a time. There is something decadent, seedy, morally bankrupt about it, they imply. Those four people who died had somehow brought this on themselves.

Ishikaritei's customers weren't just musicians though. In the evening, it was just like any normal izakaya, with couples, people having a post-work drink, groups of friends. From ten or eleven o'clock the musicians started pouring in, and then from about 3:00 or 4:00 A.M., like any other izakaya, it would become quiet. After 5:00, however, it would get busier again as the workers on night shifts came by for an after-work drink. These were the workers from other izakayas, the girls from the hostess bars, the people who keep the town running until morning for everyone else.

This urge to seize on any aspect of the abnormal is perhaps understandable when trying to deal with a senseless tragedy like this. After all, none of the normal 5:00 A.M. izakayas burned down, just the freaky 10:00 A.M. one. It still fills me with anger though. The building, like many in Koenji, is an old one, and fire is an ever-present danger for an izakaya specialising in yakitori (grilled chicken), and something should be done to ensure that these old buildings are made safer, but it's hard not to feel that the culture as a whole is being victimised by these insinuations.

In Japan there is a tradition after an incident like this for people to leave offerings at the site. Flowers, of course, but also other small gifts. There's a kind of pathetic irony in the contrast between the magnitude of the event and the commonplace nature of the offerings, but within that is something deeply moving.

Saturday, 28 November 2009

Hyacca on the Internets

There's a review of Hyacca's new album Hanazono on Nippon Rock. If you don't trust me, as the owner of Hyacca's label, that it's ace, please trust this neutral observer.

For potential buyers, C.A.R.'s own release info is here.

Monday, 2 November 2009

Fashion Crisis (November 2009)

Fashion Crisis is back with all the usual favourites as well as special guest DJ Shingo Nakagawa, infamous as the bass player in Tokyo's most fearsome no wave noiseniks The Mornings. Tuesday is a national holiday, so there's no excuse not to let loose and disco down.

Date: November 2nd 2009
Time: 7:30 P.M.
Place: Koenji Bar One
Cost: FREE
Live: Candles / Back in Tokio
DJs: Shingo Nakagawa (The Mornings) / James Hadfield / Ian Martin

Thursday, 15 October 2009

More C.A.R. stuff on teh Internets

British newspaper The Guardian has an article on its web site based on an e-mail interview with me about five or six months ago. Naturally, considering how long winded my response was, the finished item has been edited somewhat, although unfortunately this leaves some points unclear and others nonsensical. To prove I'm not stupid (or at least that I'm stupid in the right way) I posted the full interview including questions and my own unedited responses on the Clear And Refreshing web site for comparison purposes.

The line about "Shibuya-kei is the only scene anyone really speaks about here" makes me cringe and is something the writer pulled out of their arse.

Update: Oct.15 11:31
Zac Bentz has posted his thoughts at Japanator. He's not happy with the tone of the series of articles that my interview was part of.